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Firebird Suite : ウィキペディア英語版
The Firebird

''The Firebird'' (; , ''Zhar-ptitsa'') is a ballet by the Russian composer Igor Stravinsky, written for the 1910 Paris season of Sergei Diaghilev's Ballets Russes, with choreography by Michel Fokine. The scenario by Alexandre Benois and Michel Fokine is based on Russian fairy tales of the magical glowing bird that can be both a blessing and a curse to its owner. At the premiere on 25 June 1910 in Paris, the work was an instant success with both audience and critics.
The ballet has historic significance not only as Stravinsky's breakthrough piece, but also as the beginning of the collaboration between Diaghilev and Stravinsky that would also produce ''Petrushka'', ''The Rite of Spring'', ''Pulcinella'' and others.
== Background ==

Igor Stravinsky was the son of Fyodor Stravinsky, the principal bass at the Imperial Opera, St Petersburg, and Anna, née Kholodovskaya, a competent amateur singer and pianist from an old-established Russian family. Fyodor's association with many of the leading figures in Russian music, including Rimsky-Korsakov, Borodin and Mussorgsky, meant that Igor grew up in an intensely musical home.〔 〕 In 1901 Stravinsky began to study law at St Petersburg University, while taking private lessons in harmony and counterpoint. Having impressed Rimsky-Korsakov with some of his early compositional efforts, Stravinsky worked under the guidance of the older composer. By the time of his mentor's death in 1908 Stravinsky had produced several works, among them a Piano Sonata in F-sharp minor (1903–04), a Symphony in E-flat major (1907), which he catalogued as "Opus 1", and in 1908 a short orchestral piece, ''Feu d'artifice'' ("Fireworks").〔 〕〔 〕
In 1909 ''Feu d'artifice'' was performed at a concert in St Petersburg. Among those in the audience was the impresario Sergei Diaghilev, who at that time was planning to introduce Russian music and art to western audiences.〔White 1961, pp. 52–53〕 Like Stravinsky, Diaghilev had initially studied law, but had gravitated via journalism into the theatrical world.〔 〕 In 1907 he began his theatrical career by presenting five concerts in Paris; in the following year he introduced Mussorgsky's opera ''Boris Godunov''. In 1909, still in Paris, he launched the Ballets Russes, initially with Borodin's Polovtsian Dances from ''Prince Igor'' and Rimsky-Korsakov's ''Scheherazade''. To present these works Diaghilev recruited the choreographer Michel Fokine, the designer Léon Bakst and the dancer Vaslav Nijinsky. Diaghilev's intention, however, was to produce new works in a distinctively 20th-century style, and he was looking for fresh compositional talent.〔 〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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